OKE the CROKE

Els collages i fotografies Mingueza Nieves them recover, the imaginació i des fantasy, seguint the llegat dels principis Surrealistes of the Twentieth Century, the Mysterious aquelles d'fotografies de l'Victorian època that asseguraven, des d'una sospitosa veritat, Esperits capture or Espectres: imatges of fantasmes, fades, religioses aparicions or paranormal emanacions ore tota.
"The Surrealist and Dadaist collages and photomontages produced land big fish in the decades of 1920-1940 came to the" spirit ", but not the truth, spiritualist photography. Like the false photographers photographers spirits and ghosts as a product of fantasy land big fish artists land big fish such as Max Ernst (1891-1976), Raoul Haussmann (1886-1971), John Heartfield (1891-1968), Hannah Höch (1889- 1978) and Man Ray (1890-1976) used the double positivado and combined copies, superimposition and solarization to introduce inconsistency in a dialectic of form, sometimes abrupt, and other lucid - a visual poetry whose grammar and syntax implied disjunction of objects; a fascinating and disturbing the original materials hybridization and a decontextualizations of them and their purposes; a disruption of space and perspective, and some breaks in the surface of appearances that in some cases caused correspondences and irrational, disturbing and nightmarish associations land big fish in other served as political criticism, and others confirmed their status as artifice and range of artwork -.
The poetic spirit photography and surrealist and dadaist photomontage constitute a discourse with desire and memory. However, the object land big fish and purpose of the communication are antithetical land big fish in many ways. While surrealist photography sought to convey a disjunction between the states of reality and dream, spirit photography expressed reunification who were separated by death and tried to overcome the division between the material and paranormal worlds. Spirit photography field not addressed sinuses subconscious "posconsciente" (the spiritual life after death). In addition, those pictures did not seek to unearth buried faults and ruminate on sexual distress (as did surrealist photography), but reflect a territory of resolution and a condition of psychological and psychic integration. The spirit photographs also not intended to deliberately distort and debase their subjects nor disturb or repel your recipient. "
The sèrie of fotografies the dream of trees s'ha pogut veure aquest setmana cap d'art festival domestic Girona. Mingueza Nieves, a qui vaig tenir the plaer of conèixer, will arrive at Girona Yorkshire Procedent a inquiétant casualitat.
Thank you very much. A pleasure to visit this blog, I am delighted with the post. A hug. Nieves. Setembre 24 2013, 0:54
Insonrible, I agree with you, the best of domestic Nieves land big fish photos were Mingueza. The book of John Harvy is very interesting: http://escapareatoronto.blogspot.com.es/2010/06/fotografia-i-esperit.html Samedimanche, must see as it is folded Conan Doyle got! Now, it is so nice to think that there! Nieves, thank you very much! A hug! Setembre 24 2013, 16:02
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